ALEXA 35 Live – Multicam System Pro

ALEXA 35 Live – Multicam System Pro

In The Box

• KK.0051068 1x ALEXA 35 Live camera
• K2.0042652 1x ARRI PL Mount (Hirose)
• K2.0034180 1x Balance Utility Dovetail BUD-1
• K2.0051089 1x LPS-1 Fiber Camera Adapter FCA-1
• K2.0051088 1x LPS-1 Fiber Base Station FBS-1
• K2.0051067 1x Camera to FCA Ethernet Cable
• KK.0051232 1x ALEXA 35 Multicam Support Set
• K2.0050656 1x Tally Light Module TLM-1
• K2.0039465 1x RIA-1 Bracket
• K2.0051681 1x Cable LBUS (angled) – LBUS (angled) (0.3m/1ft)
• K2.0050774 1x Large Lens Adapter LLA-1
• K2.0050777 1x LLA-1 Plate for ALEXA 35
• K2.0051099 1x LLA-1 Control Module
• K2.0050793 1x Case for LLA-1
• K2.0013042 1x Cable LBUS (angled) – LBUS (straight) (0.35m/1.15ft)
• K2.0048523 1x CCM-1 with Foldable Sunhood, Screen Protector
• K2.0051078 1x Monitor Yoke Support MYS-1L (for CCM-1)
• K2.0023943 2x Cable VF (0.5m/1.5ft)
• K2.0001637 1x Cable RS – RS/PWR IN (0.5m/1.6ft)
• Skaarhoj RCP Pro ARRI V2B
• CCM-1 for Live Production Set
• Canare Slim Tactical SMPTE Fiber Optic Camera Cable – FCFA to FCMA (98.4′) (30 Meter)
• ALEXA 35 Live & Accessories Case
• LPS-1 Fiber Base Station & RCP Case
• LPS-1 FBS Intercom/Tally/PGM Cable
• B4 Lens Mount
• Cable Hirose to Box Lens
• CamRade rainCover OB/EFP Large

Cinematic Core — ALEXA 35 Live & Multicam Backbone
The package is built around the ALEXA 35 Live camera, whose 4.6 K Super 35 sensor, 17‑stop dynamic range, and baked‑in ARRI color science bring unmistakable cinematic texture to every live feed. The camera arrives with the ARRI PL Mount (Hirose) for rock‑solid cine‑lens locking and rapid lens swaps. The Balance Utility Dovetail BUD‑1 slides smoothly on studio pedestals, steadicams, or shoulder rigs, while the factory‑matched ALEXA 35 Multicam Support Set supplies tally, audio, and remote interfaces ready for multi‑camera workflows.

Broadcast‑Grade Fiber Connectivity
Dock the LPS‑1 Fiber Camera Adapter FCA‑1 to the camera, run a single Canare 30 m slim tactical SMPTE cable, and terminate at the LPS‑1 Fiber Base Station FBS‑1 to carry 12‑G SDI, returns, intercom, and power with zero signal loss . A dedicated Camera‑to‑FCA Ethernet cable ensures robust data sync, while the LPS‑1 FBS Intercom/Tally/PGM cable links the base station into any OB truck or studio matrix. Both the ALEXA 35 Live & Accessories Case and the LPS‑1 Base‑Station & RCP Case are custom‑cut for fast load‑in and protective shipping between venues.

Total Lens Freedom & Rig Expansion
Switch instantly from cinema primes to long‑range box zooms. The Large Lens Adapter LLA‑1, its matching plate, and electronic control module let heavier cine lenses balance perfectly on the ALEXA 35; the padded LLA‑1 case keeps the assembly safe on the road. A native B4 Lens Mount accepts broadcast ENG and box lenses, while the Hirose‑to‑Box‑Lens cable carries power and control. Two precision LBUS leads—angled‑to‑angled (0.3 m) and angled‑to‑straight (0.35 m)—daisy‑chain motors or focus devices without cable clutter.

Live Control, Shading & Monitoring
The Skaarhoj RCP Pro ARRI V2B brings familiar joystick shading to vision engineers, exposing full gamma, ISO, and color‑matrix control from the gallery. On‑camera, the CCM‑1 7‑inch Camera Control Monitor (1500 nits, 1920 × 1200) delivers daylight‑viewable HDR framing; its foldable sunhood, tempered screen protector, and MYS‑1L yoke let operators tilt or lock the display anywhere on the rig. Two VF cables maintain pristine, low‑latency signals, while the RS‑to‑RS/Power‑In lead enables reliable remote start/stop linking. A Tally Light Module TLM‑1 fits neatly via the RIA‑1 bracket, confirming on‑air status to presenters and crew.

Weather‑Sealed Mobility & Production‑Day Practicalities
From tropical humidity to desert dust, the CamRade rainCover OB/EFP Large shields the entire camera‑lens assembly without impeding focus or zoom throws. The package’s Cable LBUS (angled)‑LBUS (angled) short jumper keeps focus‑control loops tidy on steadicams, and the Balance Utility Dovetail plus quick‑release ALEXA 35 plate guarantee instant re‑rigging between tripod, dolly, and crane.

Broadcast Core: ALEXA 35 Live and Supporting Modules
ALEXA 35 Live Camera (KK.0051068)
The heart of this package, the ALEXA 35 Live, offers ARRI’s best-in-class Super 35 4.6K sensor with 17+ stops of dynamic range. Designed for real-time workflows, it supports multicam setups, live LUT application, and full HDR monitoring while delivering ARRI’s signature cinematic look in a live production environment.

ARRI PL Mount (Hirose) (K2.0042652)
This secure and intelligent mount accommodates high-end cine lenses, featuring a Hirose connector to communicate metadata for seamless lens control and readout across your pipeline.

Balance Utility Dovetail BUD-1 (K2.0034180)
Provides a highly stable and adjustable mounting solution that simplifies balancing the camera rig on tripods, dollies, or Steadicams. Ideal for quick rebalancing in dynamic, fast-paced shooting setups.

Advanced Fiber Optics & Multicam Support System
LPS-1 Fiber Camera Adapter FCA-1 (K2.0051089)
Converts all camera I/O—including 12G-SDI, Genlock, Tally, and intercom—into a single SMPTE fiber output, significantly reducing cable clutter and extending reach for OB vans and control rooms.

LPS-1 Fiber Base Station FBS-1 (K2.0051088)
Interfaces directly with the FCA-1 to decode incoming signals from the camera. Its design includes multiple SDI outputs, return feeds, and power transmission, making it perfect for multicam setups.

Camera to FCA Ethernet Cable (K2.0051067)
Ensures high-speed, shielded Ethernet communication between the ALEXA 35 and the fiber adapter for reliable signal syncing and data transfer.

ALEXA 35 Multicam Support Set (KK.0051232)
Enables fully integrated live multicam configurations with connectors for tally, timecode, remote control, and audio routing. Engineered to simplify integration into complex live broadcast workflows.

Lens Control, Power, and Weather Protection
Tally Light Module TLM-1 (K2.0050656)
Provides clear visual feedback for talent and operators by illuminating when the camera is live or recording. An essential tool for live studio or event environments.

RIA-1 Bracket (K2.0039465)
This bracket mounts the TLM-1 securely on top of the camera or rigging setup. Built from durable materials, it ensures long-term, vibration-free use on moving rigs.

Cable LBUS (angled) – LBUS (angled) (0.3m/1ft) (K2.0051681)
Used to daisy-chain LBUS devices like lens motors and controllers, this short, right-angled cable reduces cable mess and supports efficient lens control routing.

Large Lens Adapter LLA-1 (K2.0050774) + LLA-1 Plate (K2.0050777) + LLA-1 Control Module (K2.0051099) + LLA-1 Case (K2.0050793)
This powerful set allows mounting large cine lenses on the ALEXA 35, complete with power and data control via the module. The rugged case ensures safe transportation, making it ideal for traveling sets or rental fleets.

Cable LBUS (angled) – LBUS (straight) (0.35m/1.15ft) (K2.0013042)
Provides additional flexibility in connecting LBUS devices, accommodating different camera rig orientations or tight-spaced setups.

Monitoring, Shading, and Remote Operation
CCM-1 with Foldable Sunhood, Screen Protector (K2.0048523)
ARRI’s advanced 7″ on-board camera monitor for live use, equipped with a foldable sunhood for high-visibility outdoor viewing. The screen protector offers additional durability for field environments.

Monitor Yoke Support MYS-1L (K2.0051078)
This support arm lets operators flexibly tilt, lock, or reposition the CCM-1, enabling quick framing adjustments without interrupting camera operation.

2x Cable VF (0.5m/1.5ft) (K2.0023943)
Professional-grade cables optimized for clean, low-latency video feed transmission between the camera and the viewfinder or monitor.

Cable RS – RS/PWR IN (0.5m/1.6ft) (K2.0001637)
Enables secure power input and remote start/stop commands from external recorders or camera control units.

Skaarhoj RCP Pro ARRI V2B
A remote control panel with full access to ALEXA 35 shading parameters. Designed for vision engineers in multicam environments, offering tactile control for iris, color balance, and look management.

Ready for Any Location – Accessories and Protection
Canare Slim Tactical SMPTE Fiber Optic Camera Cable – FCFA to FCMA (30 Meters)
Lightweight, durable, and long-reaching—this 98.4’ fiber optic cable supports ultra-reliable transmission in outdoor and studio setups alike.

ALEXA 35 Live & Accessories Case
A rugged, foam-lined transport case tailored to protect the ALEXA 35 and all accessories. Ensures safe shipping and easy deployment across multiple locations.

LPS-1 Fiber Base Station & RCP Case
Protects the vital components of your live fiber system with fitted compartments and crush-proof housing for travel.

LPS-1 FBS Intercom/Tally/PGM Cable
Provides direct integration into your tally, program return, and intercom systems—ensuring crew communication and production timing are never compromised.

B4 Lens Mount
Offers compatibility with a wide range of broadcast ENG and box lenses, expanding your lens options to long zooms without compromising ARRI’s image pipeline.

Cable Hirose to Box Lens
Enables electronic communication and power delivery from the camera to your broadcast lenses—ideal for live sports, news, or event setups.

CamRade rainCover OB/EFP Large
This weatherproof cover protects your full camera and lens setup against rain, dust, and wind. Made from clear, flexible materials for full visibility of controls during outdoor shoots.

FAQs – ALEXA 35 Live – Multicam System Pro

1. Can the ALEXA 35 Live camera be used for cinema shoots?
Yes, it retains ARRI’s full image quality pipeline, making it suitable for both live and recorded cinema production.

2. What’s the benefit of the fiber adapter and base station?
It enables long-distance, single-cable transmission of video, audio, tally, power, and control—ideal for OB trucks and studio environments.

3. Can I use both cine and broadcast lenses with this package?
Yes, it includes both a PL mount for cine lenses and a B4 mount for broadcast lenses.

4. What kind of shading control does the RCP Pro offer?
You can adjust exposure, white balance, look files, iris, and more—ideal for vision engineering.

5. How long is the fiber optic cable?
30 meters (98.4 feet), perfect for stage-to-truck connections.

6. Is the CCM-1 monitor included with the sun hood and protector?
Yes, it comes bundled for high-visibility monitoring and field protection.

7. Does the LLA-1 support lens data control?
Yes, it provides mechanical support and electrical communication via the control module.

8. Can this package be transported easily?
Yes, it includes two dedicated cases: one for camera gear and one for fiber and RCP components.

9. Is this system weatherproof?
While electronics need protection, the CamRade rain cover provides full environmental shielding for most live conditions.

10. Can Cineom assist with integration and training?
Absolutely—Cineom DMCC offers professional support across India, the Middle East, and Africa.